Kentucky Foundation for Women Thinking About Feminism Art and Soical Change
 | |
| Founded | 1985 |
|---|---|
| Founder | Sallie Bingham |
| Type | 501(c)3 Private, Independent Foundation |
| Focus | KFW funds two grant programs, Creative person Enrichment and Art Meets Activism, awarding $200,000 in grants annually. They likewise own and operate Hopscotch Business firm, an artist retreat center. |
| Location |
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| Method | Applications for grants in both categories are reviewed past panels of independent grant reviewers. Each grant review panel consists of iii reviewers, two from Kentucky and one from out-of-country, who are all highly qualified artists and activists from a range of disciplines. |
| Key people | Judith Jennings, Ph.D., Executive Director Sherry Hurley, Hopscotch Business firm Program Director Rae Strobel, Grant Program Ambassador Sue Massek, Administrative Assistant Katie Anderson, Hopscotch House Property Manager |
The Kentucky Foundation for Women [1] promotes feminist art and social justice past awarding grants to individual artists and organizations, providing time and space for artists and activists at its retreat centre, sharing information, and building alliances.
The Kentucky Foundation for Women is a 501(c)iii private, independent foundation that was established in 1985 past author Sallie Bingham[2] of Louisville, Kentucky. At the time, Ms. Bingham'due south philanthropic gift of $ten one thousand thousand was the largest endowment to whatsoever women's fund in the United States. The mission of the Kentucky Foundation for Women is "to promote positive social change by supporting varied feminist expression in the arts."[3]
The foundation funds 2 grant programs annually, they are Artist Enrichment and Arts Meets Activism. Both grant programs are artist-centered, feminist in nature, and demonstrate high creative quality. Applicants to both programs are expected to be able to express their delivery to feminism and their understanding of the relationship between art and social change.
Grant awards range from $1,000 to $seven,500 per projection. Social change, as defined by the foundation, includes "eliminating societal barriers to women: neutralizing bigotry against women based on age, ethnicity, sexual orientation, physical power, economic condition, and geographic origin; and producing deportment, conditions, policies, attitudes, and behaviors that benefit women."[4]
Between 1985 and 2005 the Kentucky Foundation for Women awarded 1298 grants to individuals and organizations totaling $7,140,831.
Hopscotch Business firm is a programme of the Kentucky Foundation for Women; it is first and foremost an artist retreat heart for feminist artists. It is likewise used by a variety of groups and organizations that are working to better the lives of women and girls in Kentucky.
Hopscotch House was purchased by the Kentucky Foundation for Women in 1987 and was first used by a group of women writers known as the Wolf Pen Author'due south Colony. In the early 1990s Hopscotch House became bachelor to other women artists and women'southward groups. Over the years, Hopscotch House has served hundreds of women including artists, activists, feminists, eco-feminists, art critique groups, drumming circles, quilting groups, social justice groups, girls' empowerment groups, arts organizations, and social service organizations.
The property is considered a "classic" Kentucky farmstead and is located 13 miles east of downtown Louisville. The house has five bedrooms, vi bathrooms, a library of women'south literature and reference works, a large living room/dining area, a sun room, and a deck. The large kitchen is fully furnished and well equipped so that residents can ready their own meals. Separate studio space for artists is available upon request.[three]
Other activities and support [edit]
The Kentucky Foundation for Women has provided financial gifts for special projects such as the National Sculpture Conference: Works by Women held in Cincinnati, Ohio in 1987. The conference honored American women sculptors ages 67–88. The honorees were: Selma Burke, Elizabeth Catlett, Clyde Connell, Dorothy Dehner, Louise Bourgeois [1], Claire Falkenstein, Sue Fuller, Louise Nevelson[5] and Claire Zeisler.[vi]
The Hot Flash Fan, purchased by the foundation, was a collaborative projection completed by more than than 50 artists. "The project is a fan incorporating needlework, knotting, quilting, and painting in an expression of feelings associated with menopause."[7] Lead artists for the projection were: Judy Chicago, facilitator; Ann Stewart Anderson, originator and chief coordinating creative person; Ada O'Connor, principal embroidery creative person/coordinator; Judith Myers, quilting coordinator. The Hot Wink Fan was on display at the Water Tower, domicile of the Louisville Visual Art Clan, before being added to the Foundation'south permanent collection.
The Kentucky Foundation for Women published 50 issues of the literary periodical The American Voice , which featured international and Kentucky writers. The editor of the Pan-American journal was Frederick Smock and was published trianually from 1986 to 1999. During that time The American Phonation published two stories that were awarded the Pushcart Prize that honors the best poesy, short fiction, and essays published in the small presses. Information technology was a feminist publication that was known for featuring works by well-known authors such every bit Joyce Carol Oates, Isabel Allende, and Reynolds Toll aslope Kentuckians Wendell Berry, James Notwithstanding, and Sena Jeter Naslund. The journal also nurtured the work of less established, home-grown talent and published early work by the award-winning poet Aleda Shirley, novelist Barbara Kingsolver, playwright Naomi Wallace, and children's author George Ella Lyon.[8]
Sallie Bingham Honour [edit]
The Sallie Bingham Award was established in 1996 to recognize individuals and groups who have made outstanding contributions toward changing the lives of Kentucky women through feminist expression in the arts. Recipients are given a $500 greenbacks accolade, a gold-plated Ginko pin and plaque. The honor is appear at KFW Day, an almanac celebration held each autumn at Hopscotch Business firm.
- Past recipients
- Mary Jefferson, author
- Alma Lesch, fabric artist
- Ann Stewart Anderson, visual creative person
- Laverne Zabielski, author
- Nana Yaa Asantewaa, storyteller
- Pat Buster, poet and longtime KFW staff fellow member
- Lorna Littleway, theatre artist
- Kentucky Feminist Writers Series, Elizabeth Oakes and Jane Olmsted, editors
- Kentucky Women Writers Conference
- Judy Sizemore, poet
- Carridder Jones, author
- Gail Burrus Martin, activist and KFW board member
Run across also [edit]
- National Museum of Women in the Arts
-
Kentucky portal
References [edit]
- ^ KFW Home
- ^ SallieBingham.com
- ^ a b Kentucky Foundation for Women website http://world wide web.kfw.org
- ^ "The Perfect Matrimony" by Kopana Terry, Arts Across Kentucky Mag, Spring 2003, pages 55-57
- ^ Louise Nevelson Foundation
- ^ "Women Sculptors Have Their Say" by Elizabeth Bookser Barkley, Tristate Magazine, The Cincinnati Enquirer, April 26, 1987, pages 3–16.
- ^ Chicago, Judy, 1939- . Papers, 1947-2004 (inclusive), 1957-2004 (bulk): A Finding Aid
- ^ "Editor aims to bring Kentucky into the literary mainstream" by Ira Simmons, The Courier-Periodical, May 1, 1988
External links [edit]
- Sallie Bingham Collection at Knuckles Academy
- Women'due south Funding Network
- Pushcart Prize
- Arts Across Kentucky Mag
- Feminist Fine art Project at Rutgers University
- "Feminist Synergy: Kentucky Foundation for Women Celebrates twenty Years" by Molly Cunningham, LEO Weekly, 2005
- Alliance of Artists Communities
- "Raising Women's Voices" edited by Caitlin Stokosch, Alliance of Artists Communities Newsletter, September 2005
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Source: https://en.wikipedia.org/wiki/Kentucky_Foundation_for_Women
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